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  Apocalypse Now  
Apocalypse Now
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US COMPLETE DOSIER: THEATRICAL CUT
US COMPLETE DOSIER: REDUX
DE REDUX
US THEATRICAL CUT

 
flag US Complete Dosier: Theatrical Cut flag


flag US Complete Dosier: Redux flag


flag DE Redux flag


flag US Theatrical Cut flag

 
  cover cover cover cover  
Regional Coding 1 1 2 1 Regional Coding
TV Standard NTSC / 60Hz @ 29,97 fps NTSC / 60Hz @ 29,97 fps PAL / 50Hz @ 25 fps NTSC / 60Hz @ 29,97 fps TV Standard
Aspect Ratio 2,00:1 2,00:1 1,99:1 2,00:1 Aspect Ratio
Anamorphic yes yes yes yes Anamorphic
Videobitrate 7,83 MBit/s 7,83 MBit/s 4,20 MBit/s 5,63 MBit/s Videobitrate
Telecine progressiv progressiv progressiv progressiv Telecine
Audiotracks
Englisch DD 5.1 Surround 448Kbit/s
Kommentar DD 2.0 Surround 192Kbit/s
Englisch DD 5.1 Surround 448Kbit/s
Kommentar DD 2.0 Surround 192Kbit/s
Deutsch DD 5.1 Surround 448Kbit/s
Englisch DD 5.1 Surround 448Kbit/s
Englisch DD 5.1 Surround 448Kbit/s
Französisch DD 2.0 Surround 192Kbit/s
Audiotracks
Subtitles Englisch, Spanisch, Closed Captions (Englisch) Englisch, Spanisch, Closed Captions (Englisch) Deutsch für Hörgeschädigte, Englisch Englisch für Hörgeschädigte Subtitles
Extras
DISC1:
Theatrical & Redux Version (Seamless Branching) Part I
Audio commentary for both films by Director Francis Coppola
2 Introductions for Theatrical & Redux Version (separated) - 7 Min. (div. opt. UT)
"The Hollow Men": Marlon Brando reads the poem - 17 Min. (div. opt. UT)
"Monkey Sampan": Lost Scene - 3 Min. (div. opt. UT)
12 Additional Scenes - 26 Min. (div. opt. UT)
"The Birth of 5.1 Sound" Featurette - 6 Min. (div. opt. UT)
"Ghost Helicopter Flyover" Featurette - 4 Min. (div. opt. UT)
"The Synthesizer Soundtrack" by Bob Moog - 28 Texttafeln
Technical FAQ - 8 Texttafeln
Redux Marker: Redux footage showed through special subtitles
DISC2:
Theatrical & Redux Version (Seamless Branching) Part II
Audio commentary for both films by Director Francis Coppola
"A Million Feet of Film: The Editing of Apocalypse Now" Featurette - 18 Min. (div. opt. UT)
"The Music of Apocalypse Now" Featurette - 15 Min. (div. opt. UT)
"The Sound Design of Apocalypse Now" Featurette - 15 Min. (div. opt. UT)
"The Final Mix" Featurette - 3 Min. (div. opt. UT)
"PBR Streetgang" Featurette - 4 Min. (div. opt. UT)
"Apocalypse Then and Now" Featurette - 4 Min. (div. opt. UT)
"The Color Palette of Apocalypse Now" Featurette - 4 Min. (div. opt. UT)
Redux Marker: Redux footage showed through special subtitles
siehe Details Theatrical Cut
US Kinotrailer
"Zerstörung des Kurtz Lagers" - wahlweise mit AK von Francis Ford Coppola - 6 Min.
Kinotrailer
"Excerpts From The Theatrical Program" - Texttafeln & Fotos
"Destruction Of The Kurtz Compound" - wahlweise mit AK von Francis Ford Coppola - 6 Min.
Extras
DVD Capacity DVD9 - (7,83 GB / 7,95 GB)
DVD9 - (7,89 GB / 7,95 GB)
siehe Details Theatrical Cut DVD9 - (7,64 GB / 7,95 GB) DVD9 - (7,34 GB / 7,95 GB) DVD Capacity
Packaging Digi-Pack im Schuber Digi-Pack im Schuber Keepcase Keepcase Packaging
Distributor Paramount Home Entertainment Paramount Home Entertainment Universum Film Paramount Home Entertainment Distributor
Comment   Teil der Complete Dosier DVD, neue Szenen per Seamless Branching.     Comment

loading Loading 44 Screenshots = 4.12 MByte
Press your left mousebutton on any area of a screenshot and a 600 percent blow-up will be calculated.
US Complete Dosier: Theatrical CutUS Complete Dosier: ReduxDE ReduxUS Theatrical Cut
US Complete Dosier: Theatrical Cut Comparison #1 Timecode: 00:04:19 (DISC1)

US Complete Dosier: Theatrical CutUS Complete Dosier: ReduxDE ReduxUS Theatrical Cut
US Complete Dosier: Theatrical Cut Comparison #2 Timecode: 00:13:03 (DISC1)

US Complete Dosier: Theatrical CutUS Complete Dosier: ReduxDE ReduxUS Theatrical Cut
US Complete Dosier: Theatrical Cut Comparison #3 Timecode: 00:21:06 (DISC1)

US Complete Dosier: Theatrical CutUS Complete Dosier: ReduxDE ReduxUS Theatrical Cut
US Complete Dosier: Theatrical Cut Comparison #4 Timecode: 00:26:39 (DISC1)

US Complete Dosier: Theatrical CutUS Complete Dosier: ReduxDE ReduxUS Theatrical Cut
US Complete Dosier: Theatrical Cut Comparison #5 Timecode: 00:35:11 (DISC1)

US Complete Dosier: Theatrical CutUS Complete Dosier: ReduxDE ReduxUS Theatrical Cut
US Complete Dosier: Theatrical Cut Comparison #6 Timecode: 00:58:44 (DISC1)

US Complete Dosier: Theatrical CutUS Complete Dosier: ReduxDE ReduxUS Theatrical Cut
US Complete Dosier: Theatrical Cut Comparison #7 Timecode: 01:17:08 (DISC1)

US Complete Dosier: Theatrical CutUS Complete Dosier: ReduxDE ReduxUS Theatrical Cut
US Complete Dosier: Theatrical Cut Comparison #8 Timecode: 00:17:31 (DISC2)

US Complete Dosier: Theatrical CutUS Complete Dosier: ReduxDE ReduxUS Theatrical Cut
US Complete Dosier: Theatrical Cut Comparison #9 Timecode: 00:26:38 (DISC2)

US Complete Dosier: Theatrical CutUS Complete Dosier: ReduxDE ReduxUS Theatrical Cut
US Complete Dosier: Theatrical Cut Comparison #10 Timecode: 00:44:50 (DISC2)

US Complete Dosier: Theatrical CutUS Complete Dosier: ReduxDE ReduxUS Theatrical Cut
US Complete Dosier: Theatrical Cut Comparison #11 Timecode: 00:58:11 (DISC2)

  US Complete Dosier: Theatrical Cut US Complete Dosier: Redux DE Redux US Theatrical Cut  
  cover cover cover cover  
50% Image 8 8 8 7 Image 50%
30% Sound 8 8 7 7 Sound 30%
20% Extras 8 8 2 2 Extras 20%
Total  8.0   8.0   6.5   6.0  Total

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FoxyMulder SUNDAY, 21ST SEPTEMBER 2008 AT 4:18 PM
The U.S theatrical cut appears to retain the grain structure of the film and has more detail yet is given a lower picture rating....I find that a little odd.

Film has grain and it should be retained. Smoothing it with DNR might appeal to some but it results in smeary motion and less picture detail. I prefer the US theatrical cut in the stills shown on this page...Especially image 2.

 02002